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Appreciation

Appreciation

DEFUSING CRITICS

October 11, 2019 By David Goldstein

Treat every finger as loaded

Treat every finger as loaded


Back in grade school, most of us learned the lasting lesson to duck being laughed at by avoiding doing anything new. Once confined to our sticky-fingered little classmates and the all-knowing big people around us – now criticism seems to come from every stray kitten with Wi-Fi access. While some of us take it in stride, others find it devastating. I’ve written a bit about retaining our confidence and getting the most from critics in CREATIVE YOU, but now I have something more to add.

It took a long time to accept what my dad told me. He said that when people accuse you of something, it’s often themselves who are actually guilty of what they’re accusing. Years latter Otto, my co-author and friend, said the most important thing to know about ethics is:

“When you point a finger at someone, you are also pointing three fingers back toward yourself.”

Try it! He said our outrage reveals more about ourselves than it ever does about the person being called out. What they say is about their values, perceptions, and shortcomings.

Knowing critics are mostly talking about themselves helps in defusing the impact. When criticized, we only have two healthy options. Accept what’s helpful, and delete what’s destructive – all the while peering through the open window of the critic’s own transgressions and laughing a little.

Any criticisms?

Step Lively

March 24, 2017 By David Goldstein

Staten Island Ferry

Staten Island Ferry

Brooklyn and Manhattan Bridges

Brooklyn and Manhattan Bridges

Leaving our homes, crossing bridges or stepping onto a ferry, and we’re transported to another shore. Likewise, at times we must leave the world of creating to the somewhat distant land of displaying what we have made.

Sharing and promoting our work takes resources away from creating, however, the internet offers access to tailored audiences and makes viewing and ordering comfortable for our patrons.

Step lively onto the ferry is what I was recently thinking when leaving the shores of creating and launching my artwork online for sale at SAATCHI ART.

I’ll periodically make original paintings and affordable prints available. My artwork has international themes with the aim of connecting shapes to show beauty. I’m starting with a series from New York City including the Staten Island Ferry and the bridges that I’ve traveled many times. Please take a look and tell your friends who may be looking to fill a blank space on the wall.

Birthday Call: Your Reason to Connect

April 14, 2014 By David Goldstein

Otto Calling

Otto Calling

Are you curious when you receive birthday messages from people who you hardly know? Social media seems to broadcast our special day from the highest mountain for all to hear. In contrast, how do you feel when an influential person in your life remembers and gives you a phone call?

For many people in our community April 15th has meant more than tax day but this year is different. It was Otto Kroeger’s birthday and (using his brother Bob’s expression) sadly Otto is now “on the wrong side of the grass.” Otto’s work on personality type was far reaching and we can still learn much from him. He was a great communicator of ideas and a connector of people and one simple thing he did practically everyday had big impact.

For several hundred people, on our birthdays, wherever Otto was in his travels, he would call us with his wishes. He had an incredible memory for dates supplemented by his little notebook always in his shirt pocket. He was a telephone guy – never embracing email or electronic greetings. Otto was personal and so were his phone calls. For him, birthdays were a reason to joke, to share ideas, and to catch up with friends.

This is something we all can do more of to keep our friendships from tarnishing. While calling people on their birthday is often reserved for family and the closest of friends, Otto considered so many as close friends and his yearly calls became tradition.

One year when Otto called my wife with his best wishes. I answered the phone and pretended to be surprised to learn that it was her birthday. I thanked him for reminding me while I still had time to buy a gift.

I wish I could call him today. When larger than life figures pass, they can no longer do any wrong, they can be idealized for their strengths and with the voices they leave, we can continue to follow their guidance. Otto’s voice remains strong in my mind. If there were ever reasons to celebrate or just about any reason at all, Otto would pick up his phone to call. Something we all can do more often.

Can Your Final Thoughts Spark Fresh Inspiration?

April 11, 2013 By David Goldstein

Red or white?

Pleasant surprise!

Have you ever discovered one last piece of candy in a bag that you thought was empty? Or found a five dollar bill in your jacket pocket left over from last winter? In a way this happened to me when thinking I was completely done with my book CREATIVE YOU. The final manuscript is submitted, the Facebook page is up and I even noticed it’s already listed for preorder on Amazon when the publisher surprised me by asking for 5 more words to balance out a page. If you were given one last chance to write or speak about something you cared about what would you say?

What would you say?

What would you say?

While first impressions are very powerful, so are our last thoughts. Do you ever sense something is going to be the last time? I still remember 16 years ago: knowing the moving van would be coming in the morning and instead of packing, I was standing in the dark, squinting at a stopwatch, scooping my test strip from the developer and submerging it into stop bath. I wanted to get the exposure right since I knew this was going to be one of the last black & white prints I would ever make before boxing up my enlarger and trays.

Sometimes we see the end approaching like the final episodes of a sitcom or the last sip of wine and other times we are taken by surprise – as we unknowingly have a last casual conversation with a friend before they unexpectedly disappear from our lives. Foreseen or not, ends can produce strong memories and provoke powerful inspirations. finishdictionary

Our final impressions are often the cumulative of our experiences – like learning just the right place to watch the last sunset while on an island vacation or just the right meal to order in a favorite restaurant that is going to close. When things end we are left with our memories – and for some people memories become sources for inspirations.

They did for Edvard Munch, most know for “The Scream” who was inspired by his intense childhood memories. He said “I don’t paint what I see but what I saw.” While, there are many ways to be creative – reminiscing isn’t what inspires everyone. Picasso said “All I have ever made was made for the present and with the hope that it will always remain in the present.” And he continued: “I have done it without thinking of the past or of the future.”

When you are aware a chapter will inevitably end, do you try to preserve your memories? What do you keep? And how do you plan to use them for future inspiration? Or do you prefer to let go of the past and gain your inspirations from what is happening now? What will you do with the very last piece of candy?

Natural Beauty: What kind of tree are you inspired to be?

August 18, 2011 By David Goldstein

on the rocks

on the rocks

Even though Seinfeld episodes are supposedly about nothing, so much happens in each show – likewise, do you ever have a supposedly lazy day that is filled with inspirations? Looking back, some of my favorite paintings were inspired from events that happened unexpectedly on a single day. A rainy day in London and a foggy day in Huangshan China come to mind.

Magical days are conjured  when we step off our regular path. Last week, I made some changes in longitude which brought me to San Francisco. Within 24 hours, I watched the waves break on the Pacific, hiked Mount Tamalpais, strolled through the ancient Muir Woods, had lunch on the dock in Marin, and drove through wine country in a convertible with one of my oldest friends. I only had my toy camera but it was sufficient to make photos that will bring back my memories.

“Fresh beauty opens one’s eyes wherever it is really seen, but the very abundance and completeness of the common beauty that besets our steps prevents its being absorbed and appreciated. It is a good thing, therefore, to make short excursions now and then to the bottom of the sea among dulse and coral, or up among the clouds on mountain-tops, or in balloons, or even to creep like worms into dark holes and caverns underground, not only to learn something of what is going on in those out-of-the-way places, but to see better what the sun sees on our return to common every-day beauty.”  Described the naturalist John Muir In the Sierra Foot-Hills (1894)

Experiencing natural beauty inspired me to finally have an answer if Barbara Walters asks “If you were a tree, what kind would you be?” Of course the answer is a giant redwood. These are the tallest trees and frequently live 600 to 2,000 years  even though they don’t look a day over 200. What kind of tree would you be? Can you recall a single day that  filled  you with inspiration?

Coincidentally, within a bowl of smooth metal shaped stones on the counter of a Sonoma antique shop, I noticed one with Chinese characters so I picked it up turned it over to read the word “creativity.” John Muir said “When we try to pick out anything by itself, we find it hitched to everything else in the universe. “ Do you think this could be true?

Original Copies or Original Sins?

August 3, 2011 By David Goldstein

Seeding our clouds for a rainstorm of ideas

Seeding our clouds for a rainstorm of ideas

Like dialing your rival at the same moment they try to dial you, Alexander Graham Bell invented the telephone at the same time as Elisha Gray. Bell got to the patent office first and legally received the credit and fame, but were they both being original? It’s your call?

A certain number of people read the same news, watch the same movie, face the same problem and have a collective ah-ha moment to offer a collective solution. You could be thinking of a “new” idea and unbeknownst to you, somebody on the other side of the globe is thinking the same thing. It’s discouraging to come up with a “original” idea only to enter a few keywords into a search engine to find others are already standing in the same space.

Paul Bloom described in a TED  talk how especially in the arts, we appreciate originals more than copies. He tells how a once admired masterpiece lost its value when it was discovered to be forged and how a gifted violinist, who was appreciated in concert was largely ignored when anonymously playing at a train station.

What can you to do to be original? As you are saturated with information, does too much stimulation prevent you from being original? A talented artist and prolific writer Val Erde recently asked the good question: “I do think that the more I’m on the internet – certainly with my habit of always filling up my mind with stuff I read on it – the less creative I am in terms of originality. Does it affect you the same way?”

Original and salt free

Original and salt free


Of course we are all influenced by our environment. Filling our heads with the latest thinking on subjects is like seeding our own clouds for a future rain storm of ideas. Everything we do is done in our own way and is somewhat original.

Some people believe that art is a reflection of our environment and culture -so as the kaleidoscope of our world changes, so does what we produce. Don’t worry so much if someone else is doing something similar – do your own thing and soon your brief overlaps will dissipate.

“Yes, one may make mistakes, one may perhaps exaggerate here or there, but the thing one makes will be original. You have read in Rappard’s letter the words: “I used to make things now in this, then in that style, without sufficient personality: but these last drawings have at least a character of their own, and I feel that I have found my way.” I feel almost the same thing now.” described Vincent van Gogh to his brother Theo, c. 22 June 1883

We all have a unique experience and we all express things differently – as you put some words together, draw some lines, or dance, it’s possible someone else has done this before but when you add your own context and write a paragraph, paint a picture, dance a number, then it’s likely to say that this hasn’t been done exactly the same way. Does awareness of others increase or decrease your originality?

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